Kirko Bangz – Procrastination Kills 4 (PK4)

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Procrastination Kills 4 (PK4) lands as a project slightly better than mediocre. Kirko adequately illustrates his major strengths, songs of pain and others with exceptional hooks, while simultaneously showing that limited concepts and delivery bobbles need a little improvement.

Kirko’s strongest suit derives from painting pictures of pain and narrating tales of transforming tragedy to triumph. There’s something about his struggle that allows him to captivate listeners even when they don’t relate to his struggles. The effect of “Use to Be” is one of the most impactful tracks. The story of Kirko’s aunt filling the role of his mother and best friend, before being murdered by her husband, provides glimpses into his trialing childhood.

“Have a auntie like your mom and she was your best friend/ She helped you get your first car, helped you furnish ya crib/ Get ya girlfriend a job, helped yal through s**t/ Dress your sister up for prom, helped you manage ya chips/ And you turn around and lose her in the same damn year.”

“Vent,” “On My Own” and “Help Me Out” further Kirko’s message and portraits of pain.

Another major strength of PK4 rests in musical versatility. Far too many rappers rely on bass-overloaded beats to fight half their battle of acquiring fans. It’s obvious that Kirko understands the importance of appealing beats because his previous singles – “What Yo Name Iz” and “Drank in my Cup” – garnered most of their attention from their bombastic bass lines and catchy hooks. On this project, Kirko doesn’t allow that same pattern to restrict or define his identity.

PK4’s song order works as a huge asset. Instead of placing the biggest hits within the first seven songs in typical fashion, Kirko groups the songs by type, which allows for smoother transitions. Bombastic hits come first followed by songs catered to sex and strippers. He then proceeds with narratives of struggle, heartache and pain, before ultimately finishing with a selection of smoother tunes that ride.

Houston, Kirko’s birthplace, flies under the radar for the majority of PK4 before its musical influences break through. It’s not until the last three tracks – especially “Lettin Them Know” featuring Paul Wall and “Laid Back” – where slower, riding beats or chopped and screwed hooks materialize.

Yet, Kirko demonstrates weakness. “Nasty N***a” could have been left off PK4 altogether. It doesn’t do much to improve the project, and the presentation of the song comes off a bit weak.

“Stop B*****n” follows suit. The song wasn’t well planned.  Kirko removed intensity from his voice, but the instrumentation of Drake’s interlude of “Good One’s Go” didn’t mesh with Kirko’s intended theme. Kirko has to consider his delivery prior to choosing beats. Sure, it’s supposed to be an emotional song where he airs out complaints, but his brash delivery was harsher than what the instrumentation could support, resulting in a clash.

Limited topics also work against Kirko. Every rapper has a comfort zone of subjects in which they operate, but Kirko’s potential promises better works in the near future.

Overall, Procrastination Kills 4’s semisolid effort serves as a promising platform for 23-year-old Kirko Bangz. His weaknesses are easily addressable. After a little maturation as a rapper and improved subject matter, Kirko’s potential could give birth to a consistent hit maker.

7.0/10

*Review also hosted at http://www.pefferreviews.com/ and http://rapruler.com/

Lil Wayne – Dedication 4

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If Lil Wayne’s Dedication 4 serves as a parting gift to fans, some will love it, others will hate it. Instead of lacing his 15-track mixtape with commercial bars that have flooded the radio in recent months, Wayne attempts to go back to the essence of what arguably made him the greatest rapper alive. Whether he succeeded or not will be the topic of discussion in many hip-hop forums and conversations.

There’s no secret to Wayne’s blueprinting, preparation and structuring of Dedication 4. He aims to recapture the conceptual, lyrical beast displayed on the previous Dedications while showing rappers that their beats “aren’t safe,” as quoted on the Drought 3, and it definitely doesn’t hurt to have rap’s most popular mixtape endorser DJ Drama stamping the project.

Wayne never recaptures conceptual depths that appeared on his previous Dedication projects, and his style most resembles what No Ceilings offered. Yet, the Dedication 4 has its strong points: Catchy one liners flood each track, the features actually improve songs (J.Cole, Nicki Minaj, Young Jeezy, etc.), the beat selection is immaculate because it pulls from rap’s best and hottest bass lines, and Wayne actually caters his delivery pattern to mirror the original artist’s style on each beat.

“Same Damn Tune,” delivered over Future’s “Same Damn Time,” exhibits how Wayne structures his flow like each song’s original format. He matches patterns and places rhymes that end with similar syllables in memorable spots. In essence, he mimics the original version and adds a twist to it.  It’s safe to say that Wayne went harder than the majority of the original artists, and that’s something to appreciate because he chose songs like: “Burn” and “Amen” by Meek Mill, and “Cashin’ Out” by Cash Out.

Also in “Same Damn Tune” Wayne addresses the comments he made in his interview with DJ Drama.

“Rap is taking a backseat to skating,” said Wayne prior to the mixtape’s release. On the actual project he follows with this response:

“Im skatin’ and rappin’ at the same damn time/ I said I might retire, but yal know I be high.”

Weezy is setting the stage for a situation that mirrors Jay-Z’s. Instead of completely breaking ties with rap and retiring outright, Wayne has left the door open for reappearances. He wants to spend more time venturing down other avenues like his Trukfit clothing line. In the meantime, he should have spent more time preparing for a potential exit that would leave fans wanting more.

The Dedication 4 fell short of what fans expected, and his topics became redundant prematurely. Delivering tons of punch lines and excessively advertising for Trukfit are the only things Wayne accomplished. The Dedication 4 shows a lack of thought, and effort. It appears that Wayne never sought to raise the bar, and failed to display any versatility. Each song has the same format. Has Wayne really sold out and become a punch line rapper? This project suggests that just may be the case.

7.0/10

*Review also hosted at http://www.pefferreviews.com/ and http://rapruler.com/