Procrastination Kills 4 (PK4) lands as a project slightly better than mediocre. Kirko adequately illustrates his major strengths, songs of pain and others with exceptional hooks, while simultaneously showing that limited concepts and delivery bobbles need a little improvement.
Kirko’s strongest suit derives from painting pictures of pain and narrating tales of transforming tragedy to triumph. There’s something about his struggle that allows him to captivate listeners even when they don’t relate to his struggles. The effect of “Use to Be” is one of the most impactful tracks. The story of Kirko’s aunt filling the role of his mother and best friend, before being murdered by her husband, provides glimpses into his trialing childhood.
“Have a auntie like your mom and she was your best friend/ She helped you get your first car, helped you furnish ya crib/ Get ya girlfriend a job, helped yal through s**t/ Dress your sister up for prom, helped you manage ya chips/ And you turn around and lose her in the same damn year.”
“Vent,” “On My Own” and “Help Me Out” further Kirko’s message and portraits of pain.
Another major strength of PK4 rests in musical versatility. Far too many rappers rely on bass-overloaded beats to fight half their battle of acquiring fans. It’s obvious that Kirko understands the importance of appealing beats because his previous singles – “What Yo Name Iz” and “Drank in my Cup” – garnered most of their attention from their bombastic bass lines and catchy hooks. On this project, Kirko doesn’t allow that same pattern to restrict or define his identity.
PK4’s song order works as a huge asset. Instead of placing the biggest hits within the first seven songs in typical fashion, Kirko groups the songs by type, which allows for smoother transitions. Bombastic hits come first followed by songs catered to sex and strippers. He then proceeds with narratives of struggle, heartache and pain, before ultimately finishing with a selection of smoother tunes that ride.
Houston, Kirko’s birthplace, flies under the radar for the majority of PK4 before its musical influences break through. It’s not until the last three tracks – especially “Lettin Them Know” featuring Paul Wall and “Laid Back” – where slower, riding beats or chopped and screwed hooks materialize.
Yet, Kirko demonstrates weakness. “Nasty N***a” could have been left off PK4 altogether. It doesn’t do much to improve the project, and the presentation of the song comes off a bit weak.
“Stop B*****n” follows suit. The song wasn’t well planned. Kirko removed intensity from his voice, but the instrumentation of Drake’s interlude of “Good One’s Go” didn’t mesh with Kirko’s intended theme. Kirko has to consider his delivery prior to choosing beats. Sure, it’s supposed to be an emotional song where he airs out complaints, but his brash delivery was harsher than what the instrumentation could support, resulting in a clash.
Limited topics also work against Kirko. Every rapper has a comfort zone of subjects in which they operate, but Kirko’s potential promises better works in the near future.
Overall, Procrastination Kills 4’s semisolid effort serves as a promising platform for 23-year-old Kirko Bangz. His weaknesses are easily addressable. After a little maturation as a rapper and improved subject matter, Kirko’s potential could give birth to a consistent hit maker.